Tuesday, 27 May 2014

Roe(ing) us along on our jouney: A blog by our fabulous designer Natalie Roe...



There are three. Three women in this story, three authors, three actresses. As soon as I arrived on this project, I was introduced to the characters of Charlotte Bronte, Virginia Woolf and Jean Rhys. Three women who had connections with mental health and attitudes that were being described in the piece.

I was familiar with Charlotte Bronte and her portrayal of the mad woman in the attic in Jane Eyre. I was less familiar (and afraid of) Virginia Woolf and knew nothing about Jean Rhys. I had a quick period of research, speed reading through novels and films. I was amazed by Rhys’s Wide Sargasso Sea and a depiction of mental illness which wasn’t dark and dour but full of life, sensuality and expression. Each actor had already been given a colour; yellow, red and blue for their personal props. To highlight this I suggested everything else involved in the set was monochrome; whites, greys, sterile, all colour coming from the creativity of the girls. We avoided black in the set because it seemed too obvious and negative, the girls being silhouetted against white instead.

Director Matt had said he really liked the idea of using lace with the costumes. Lace depicting fragility and delicacy but also meaning we could put bright clothing underneath monochrome lace and have the colour poking through, as if the personality of the authors were trying to break through. The costumes were tough because the girls had to be able to move in them as well as showing the different characters. For Charlotte, the objective Victorian, I found a long skirt and lace top, with a bow in yellow because all the portraits of Miss Bronte have her wearing a bow on her dresses. Virginia has a very Edwardian-looking white lace top and a red shawl, which she throws off in frustration at the top of the show (ooooh symbolism!) Jean Rhys wears trousers since she’s a 20th century women, she has loose lace tops in blue and shimmering black, it’s very flowy, textured and less rigid then the other two.

I’m really looking forward to the show going to the Brighton Fringe and getting to join the gang in Edinburgh. All feedback we’ve had on the set and costumes has been positive so I’m hoping people will continue to enjoy what we’ve put together!

 

My baby

In 2010 myself and my fellow co-founders created a new little being. We talked about it, decided it was a good time for each of us, professi...